Is Alan Bennett a “literary figure” or a “man of the theatre?” Or, in American parlance, is he really to be more properly regarded as “a right broad?” Read all about the motivation behind his recent donation of his papers to the Bodleian in today’s Guardian here.
Image credit: “Borough Arms” cigarette card, Arents Collection, NYPL Digital Gallery ID# 118359.
While it would be nice to say that this blog went silent again because we were all too occupied with Archives Months events, I cannot tell a lie. Look for the long deferred posts about Performing Arts Roundtable programs at SAA Annual 2008 in the coming days. In the meantime:
Going through the mail, one item of interest recently received is the latest volume in the Theatre Library Association‘s occasional Performing Arts Resources series. Entitled Performance Reclamation: Research, Discovery, and Interpretation, this book (well, it’s a serial really) should be of special interest to performing arts archivists everywhere. It provides a transcript of the complete program of TLA’s 2007 symposium of the same name. The main purpose of that symposium had been to examine the “critical role in recreating performance and supporting the construction of production histories” played by performing arts archives and libraries. Participants included representatives from City Center Encores!, Jacob’s Pillow, and the Mint Theater. Rounding out the contents are papers from the 2005 TLA Plenary for the American Society for Theatre Research by Jonathan Bank, Claudia Wilsch Case, and Sarah Ziebell.
Which reminds me — did I renew my membership?